Digital Atelier

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Digital Atelier
Type Private
Founded 1996
Founder(s) Bonny Pierce Lhotka, Karin Schminke, Dorothy Simpson Krause
Headquarters Tel Aviv, Israel
Website digitalatelier.com


Digital Atelier is an artist collaborative consisting of Bonny Pierce Lhotka, Karin Schminke, and Dorothy Simpson Krause, known for their innovative blend of traditional fine art techniques with digital technologies.[1][2][3][4][5][6][7][8] Their artistic contributions have had a substantial influence on the fields of printmaking and photography, introducing new avenues for artistic expression.[9][10][11][12][13]

History

Members of Digital Atelier met at a workshop called “Beyond the Digital Print” at Massachusetts College of Art and Design in 1994. Subsequently a few of the attendees began to exhibit together and explore the viability of new digital tools. They adopted the name "Unique Editions" and began showcasing their work. In 1996 they collaborated on a three-week group artist-in-residency program at the Smithsonian American Art Museum, known as “The Digital Atelier: Printing for the 21st Century”. During this residency, Lhotka, Schminke, and Krause initiated their collaborative efforts under the name Digital Atelier.

The Digital Atelier operates in multiple locations including Ft. Lauderdale, Florida; Boulder, Colorado; and Seattle, Washington. Their artworks incorporate digital tools with traditional techniques such as painting, collage, mixed media, photography, image transfer/ monotype, print, and artist books. These pieces are created on a variety of surfaces including plywood, silk, rusty metal, wood, and handmade substrates.

The Digital Atelier has been at the forefront of embracing digital tools. This position has led them to consult with manufacturers of inkjet, UV, and flatbed large format printers, as well as with ink and media developers. They have encouraged the development of technologies that are suitable for fine artists, such as improving the permanence of printer inks and ensuring flexible head clearance to accommodate artist media. They have successfully refined and marketed paintable inkjet precoats specifically designed for artists. Examples of their expertise in developing original techniques for artists to integrate digital tools with traditional artist materials include processes for transferring inkjet prints onto different surfaces, printing on non-porous surfaces, and layering ink-jet prints with traditional artist media.

The collaborative also functions as a traveling educational forum, demonstrating and promoting the potential of digital tools for artists. In 1997 they were invited by the Vinalhaven Press & Foundation to work with museum curators from around the US to help them envision Media for the New Millennium. As a result of that workshop, they were invited by the Brooklyn Museum of Art to demonstrate digital printmaking techniques in conjunction with the opening of their museum's 27th Print National exhibition titled "Digital: Printmaking Now" and did workshops and presentations at colleges and conferences, including large gatherings like the Southern Graphics Council and MacWorld.

Influence and recognition

Since its inception, the collaborative has worked to redefine the realms of digital art and printmaking.[14][15][16][17] For example, in 1998, the collaborative received an invitation from Harvey K. Littleton Studios to delve into the exploration of digital imagery through vitreography, a printmaking method pioneered by Littleton. The collaborative efforts of Lhotka, Schminke, and Krause remain dedicated to pushing the boundaries of digital art and printmaking.[18][19][20][21][22][23]

The impact of Digital Atelier extends beyond their collaborative, reaching both the art and academic communities. Their artistic contributions have garnered recognition within the fields of printmaking and photography, often cited in relevant literature, and serve as exemplars of the creative utilization of digital technologies in fine art.[24][25][26] Their work was recognized at the Smithsonian American Art Museum, where they received a Smithsonian/Computerworld Technology in the Arts Award, and their work was included in the permanent collection of the Museum. Exhibitions featuring their work prominently showcase their approach, which seamlessly integrates traditional and digital techniques.[3][27][16][17][7][8] The American Print Alliance traveled the exhibition, “Work from the Digital Art Studio" for several years. Their influence on digital art has been substantial. By sharing information about discovered processes through workshops, visiting artists, artist-in-residencies, presentations, publications including their book, they inspire emerging artists to explore digital technologies as tools for artistic expression.[9][12][13]

Books

Digital Atelier has authored several publications that contribute to the literature on digital art techniques. Notable works include:

Digital Atelier Exhibitions

2011

2010

  • Monte Pearson Gallery, Pearson Lakes Art Center, Confluence: The Art of the Digital Atelier

2009

2008

2007

2006

2005

2003

2002

2001

2000

  • Scarfone/Hartley Gallery, University of Tampa, Electronics Alive, Invitational, Tampa FL
  • Rocky Mountain Digital Art Center, Crossing Boundaries:Intersection of Media and Meaning, Denver, CO
  • Creiger-Dane Gallery, timeXposure:explorations in time, space and movement, Boston, MA

1999

1998

1997

1996

  • Morris B. Belknap Galleries, Allen R. Hite Art Institute, Emerging Technologies/Evolving Traditions, Invitational, Louisville, KY
  • O’Sullivan Arts Center, Regis College, Digital Images, Invitational, Boulder, CO
  • Wentz Gallery Pacific Northwest College of Art, Unique Editions: Digital Dimensions, Portland, OR
  • Digital Arts, Dorothy Simpson Krause and Bonny Lhotka, Frankfurt, Germany
  • Creiger-Dane Gallery, Digital Dialects, Part II, Invitational, Boston, MA

1995

  • 16 Gallery at Urban Digital Color, Unique Editions: New Directions, San Francisco, CA
  • Fayetteville Art Council, Digital Soup/ Unique Editions, Invitational, Fayetteville, NC

1994

  • Sandy Carson Gallery, Digital Watermedia, Denver, CO

Publications

2015

  • “Digital Harmony” Big Picture Magazine, March 2015, p.6

2011

  • Byrd, Joan Falconer. Harvey K. Littleton: A Life in Glass. SkiraRizzoli, NYC 2011, p 156, 173

2010

  • Pulin, Carol “Digital Printmaking: Place, Time, Vision” Contemporary Impressions Winter 2010,pp 12-15
  • Wielenga, Renee. “Diverse Artists Blend Talents for Exhibition” Discover!, July 2010 p. 5.
  • Schminke, Karin, with Lhotka and Krause, A Cross-County Digital Collaboration, The Boston Printmakers, Spring 2010 p.3

2009

  • Schminke, Karin, Dorothy Krause, and Bonny Lhotka. "Crossing Borders: Digital Atelier artists explore and combine new digital tools with traditional techniques and materials". SGIA Journal, First Quarter 2009, pp. 12-19.

2008

  • Krause, Dorothy Simpson, Karin Schminke, and Bonny Lhotka. "Blazing a Laser Trail in the Art World." Digital Graphics, November 2008, pp. 34-37.
  • Nemo, John. "A Visit to the Digital Art Studio." Paper Works, Tucson, AZ, Vol. 8.3, Spring 2008, pp. 16-18.
  • Sands, Sarah. "Reinventing the Future." Just Paint, Golden Artist Colors, New Berlin, NY, Issue 18, pp. 1-5, 10.
  • Lhotka, Bonny. "The Finer Side of Digital Printing." Digital Graphics, Denver, CO, February 2008, pp. 30-36.

2007

2006

  • "Work from the Digital Art Studio". Contemporary Impressions: Journal of the American Print Alliance. Vol. 14, No. 1, Spring 2006, pp. 24-25.
  • Wands, Bruce. Art of the Digital Age, Thames & Hudson, NY, 2006, pp. 58-59, 211.
  • Krause, Dorothy, Karin Schminke, and Bonny Lhotka. "Paint & Pixels". Just Paint, Golden Artist Colors, Inc. January 2006, Issue 14, pp. 1-4.
  • Taylor, John. "Powering Digital Artistry." Image Reports, Vol. 13, London, England, February 2006, pp. 35, 37, 39.

2005

  • Bonny Lhotka, Dorothy Krause, and Karin Schminke. "Fine Art and the Flatbed Printer." Digital Graphics, September 2005, Cover and pp. 16-22.
  • "Review: Digital Art Studio". Printmaking Today, Journal of the Royal Society of Painter-Printmakers, Winter 2005.
  • Schminke, Karin, Dorothy Krause, and Bonny Lhotka. "Creative Printing" Signs of the Times Magazine, June 2005, pp. 104-108.
  • Johnson, Harald. Mastering Digital Printing, Second Edition, The Thomson Course Technology, Boston, MA, pp. 13, 25-26, 210, 287, 364, 366, 376, 11, 34, 229, 236, 281, 284, 364-365, 367-369, 371.
  • Threinen-Pendarvis, Cher. The Painter IX WOW! Book. Peachpit Press, Berkeley, CA 2005, pp. 444-445.

2004

  • Schminke, Karin, Dorothy Krause, and Bonny Lhotka. "Selecting a Printing Surface" Big Picture Magazine, November/December 2004, pp. 50-54.
  • Gentry, Lorna. "Digital Art Studio: Redefining The Print". Photo Electronic Imaging, Vol. 47, No. 6, Nov/Dec 2004, pp. 28-31.
  • Schminke, Karin, Dorothy Krause, and Bonny Lhotka. "The Carrier Method of Printing on Thin Paper". Great Output, September 2004, pp.
  • Johnson, Harold. "Art Institutions, Marketers and Buyers: Embracing the Digital Revolution." Great Output, May 2004, pp. 24-25.
  • Johnson, Harold. "Myths and Realities." Great Output, February 2004, p. 13.

2003

  • Nikitas, Theano. "The State of Fine Art Media." Digital Output, November 2003, p. 24.
  • Portnoy, Marsha. "Art in a Digital Age." Wide-Format Imaging, Nov. 2003, cover & pp. 26-28.

2002

  • Brill, Louis. “Digital Atelier: The Edge of Digital Media”, Ylem, 20th Anniversary Issue, November 2002, Cover, p 1
  • ST Media Group. The Big Picture, ST Books International, 2002, Cincinnati, Ohio, pp. 13.
  • Fiedler, Stefan. artbits: Digital FineArt Printmaking, Epson Publications, Düsseldorf, Germany 2002, pp. 83-84.

2000

  • Gollifer, Sue. "Artist Space 4 Tradigital Imaging." Digital Creativity, Swets & Zetilinger, UK, 2000, Vol. 11, No. 4, pp. 234-248.
  • "The Daily, Seybold Seminars San Francisco, 'Digital Atelier artists strut latest stuff in imaging'." August 30, 2000, Vol. 1 No. 5, p. 10.
  • Kitchen, Linda. "Solving the World’s Digital Media Problems." Signs of the Times, July 2000.
  • Hagan, Debbie. "Collective Visions." Digital Fine Art, Summer 2000, pp. 26-31.
  • "The Daily, Seybold Seminars Boston, 'Digital Atelier Showcases Portfolio of Lenticular Prints'." February 9, 2000, Vol. 1 No. 1, p. 8.
  • Gerard, Alexis and Paul Worthington. "The Future Image Report, 'Holography, Lenticular and More: NEW Techniques Move 3D off the Screen'." Volume 7 Issue 7, pp. 6-7.
  • Williams, Patti. "Painting the Market: Digital Fine Art." Digital Output, Feb. 2000, Cover, pp. 14-17.
  • McQuaid, Cate. "TimeXposure Dazzles as Delicious Eye Candy." The Boston Globe, Thursday, January 6, 2000, pp. E7-E8.
  • Beale, Stephen. "Lenticular Art Comes of Age, Digital Fine Artists Experiment with Old Printing Technique." Macworld, January 2000, p. 27.

1999

  • "The heARTland project." Contemporary Impressions: Journal of the American Print Alliance, Vol. 7, No. 2, Fall 1999, p. 22.
  • Hughes, Jonathan. "Talking (Photo) Shop." Digital Imaging, November 1999, p. 12.
  • "Show Floor Activities; Digital Atelier." Seybold Seminars Boston Publishing 2000 Special Edition for Alumni, p. 5.
  • Romano, Richard. "Digital Artists Go Deep with Lenticular Imaging." Micro Publishing News, Show Daily, Seybold Seminars, September 1999.
  • Connor, Susan. "Digital Application Brief." Signs of the Times, June 1999, p. 20.
  • Hadden, Jennifer. "Lenticular Images." Digital Graphics, June/July 1999, p. 2.
  • Wood, Colin. "Limited Editions Unlimited Potential." Design Graphics, No. 43, 1999, p. 18.
  • Hagan, Debbie. "On the Edge: The Digital Atelier’s experimental works are broadening art horizons." Digital Fine Art, Vol I, Issue II, Summer 1999, pp. 26-31.
  • Smith, Mark. "Digital Group to Show at Boston’s Danforth Museum." Micro Publishing News, May 1999, pp. 1-2.
  • Foreshew, Jennifer. "Taking Technology to the heARTland." The Australian, Computers Tuesday, March 9, 1999, p. 7.
  • Connor, Susan. "Just Press Print." Signs of the Times, February 1999, pp. 96-102, 104.
  • "Art Show." Publish, February 1999, p. 18.
  • "Digital Hall of Fame; Digital Atelier at Seybold." Mac Art & Design, Issue 25 Winter 1999, p. 4.

1998

  • O’Rourke, Judith. "Collaborative Printmaking at Littleton Studios." Contemporary Impressions: The Journal of the American Print Alliance, Vol. 6, No. 2, Fall 1998, pp. 27-29.
  • "Portfolio: Vitreographs from the Littleton Studios." Glass, the Urban Glass Art Quarterly, No. 72, Fall 1998, pp. 18-25.
  • "Digital Artists Win Recognition at Seybold Awards Ceremony." Digital Imaging, Oct. 1998, p. 12.
  • "Portfolio: Vitreographs from the Littleton Studios." Glass, the Urban Glass Art Quarterly, No. 72, Fall 1998, pp. 18-25.
  • "The Digital Atelier and The Unique Editions." News, small talk, rumors & bulletins, Mac Art & Design, March 1998, p. 5.
  • Electronic Publishing, Volume 21, Number 10, "Digital Art at the Smithsonian" by Molly W. Joss, pp. 42-43.
  • Photo Electronic Imaging-PEI, Volume 40, Number 9, "Mainstreaming Digital Art" by Lorna Gentry, pp. 8-12.

1997

  • Digital Imaging, October 1997, "Digital Artists Set Up Shop at the National Museum of American Art," p. 20.

1996

  • Schminke, Karin. "Paper and Beyond: Digital Printing Substrates for Artists." IdN: International Designers Network, Volume 3, Number 3, 1996, pp. 82-90.
  • Schminke, Karin and Krause, Dorothy. "Guerrilla Gallery: Hands-on Digital Art at SIGGRAPH." Computer Artists, Dec.-Jan. 1996, pp. 10-11.
  • Henderson, Toni. IdN: International Designers Network, Volume 3, Number 4, "Natural Forms with Geometric Structures: Karin Schminke," pp. 18-29.
  • Lurins, Sandy. "Common Dreams/Unique Visions." How Magazine, August 1996, pp. 94-99.
  • Erdos, Dawn. IdN: International Designers Network, Volume 3, Number 1, "Print Image Experiment: The Unique EditionsTM P.I.E. Project," pp. 94-99.
  • Borzo, Jeanette and Widman, Jake. Publish Magazine, Volume 10, Number 8, "The Digital Get Physical," pp. 95-97.
  • Lee, Holly, Ed. DIGI Magazine, Vol. 2, No. 3, "Unique EditionsTM Issue," Hong Kong, pp. 1-16.
  • Hagopian, Ruth. OnLine Design, Volume 3, Number 13, "Five Part Harmony," pp. 26-29.
  • Digital Imaging Magazine, "Digital Artists Join Forces in Unique Editions," p. 17.
  • Hays, Nancy. Computer Graphics and Applications, "When Opposites Attract," pp. 5-8 and cover.

1993-94

  • Computer Artist Magazine, Karin Schminke, Portfolio Section 1993 & 1994.

Presentations

  • Presentation, “Digital Atelier and the Digital Art Studio”, Monmouth University, Monmouth, NJ, Dorothy Krause, 2009
  • Presentation, “Inkjet and Beyond: Pushing the Boundaries of fine-Art Printing”, Photo Marketing Association, Las Vegas, NV, Dorothy Krause, 2009
  • Presentation, “Explorations: Work from the Digital Atelier,” Edmonds Community College, Edmonds, WA. Karin Schminke, Dorothy Krause, 2007
  • Presentation/ Panel Discussion, “The Convergence of Printmaking, Photography and Digital Media: An artist’s perspective”, College Art Association, Boston, MA, Dorothy Krause, 2006
  • Presentation, “Beyond the Digital Print”, Society of Printers, Club of Odd Volumes, Boston, MA, Dorothy Krause, 2005
  • Presentation, Holy Cross College, Worcester, MA, Dorothy Krause, 2005
  • Workshop, Bowling Green State University, Toledo, OH, Dorothy Krause, 2005
  • Workshop, University of Massachusetts - Dartmouth, New Bedford, MA, Dorothy Krause, 2005
  • Workshop, Canson Masters Circle Summit, Santa Fe, NM, Dorothy Krause, 2005
  • Panel, Southern Graphics Council, “Revolution in Monoprint”, Making Histories: Revolution and Representation, Boston, MA, Dorothy Krause 2003
  • Presentation, “Lenticular in Digital Printmaking” in Sketches: Innovative Approaches, SIGGRAPH 2002, San Antonio,TX, Dorothy Krause July 24, 2002
  • Workshop, Beyond the Digital Print 2002. Governors State University, University Park, IL, Dorothy Krause, Karin Schminke, Bonny Lhotka June 20 - 21, 2002
  • Presentation, “Art & Technology Intertwine: An Evening with Katrin Eismann & Dorothy Simpson Krause”, International Center for Photography, NY, NY, May 3, 2002.
  • Workshop, Beyond the Digital Print 2001. Rocky Mountain Digital Art Center, Denver, CO, Dorothy Krause, Karin Schminke, Bonny Lhotka May 15 - 17, 2001
  • Presentation, “Medium Crossings” Border Crossings: Southern Graphics Council, University of Texas, Austin, Dorothy Krause TX, March, 2000
  • Presentation,”Photography with a Digital Spin” New England Women in Photography, Boston, MA, Dorothy Krause April 1, 2000
  • Presentation, “New Media/New Aesthetic” Ink Different: Southern Graphics Council, University of Miami, FL, Dorothy Krause March 4, 2000
  • Expanding the Boundaries of Book”, Print 09, Chicago, IL. Presented by Karin Schminke, Dorothy Krause, and Bonny Lhotka.
  • “Integrating Digital Printing into the Studio” Whidbey Island Surface Design Association, February 09. Presented by Karin Schminke.
  • "Work from the Digital Art Studio" Presented by Dorothy Krause, Karin Schminke, and Bonny Lhotka at the American Print Alliance Conference, 2006.
  • “Beyond the Digital Print”, Massachusetts College of Art, Boston MA, April 1998. Presented by Dorothy Krause, Karin Schminke, and Bonny Lhotka
  • “Introduction to the Digital Art Studio” Daniel Smith, Seattle, March 08 Presented by Karin Schminke.
  • "Creative Printing" Presented by Karin Schminke, Dorothy Krause, and Bonny Lhotka at the Signs of the Times Conference, 2005.
  • Transitions to Digital” Pajaro Vallery Art Center, Watsonville, CA August 2003. Presented by Karin Schminke.
  • “Beyond the Digital Print: A Digital Atelier® Printmaking Workshop,” Governors State College, Illinois, June 2002. Presented by Karin Schminke, Dorothy Krause, and Bonny Lhotka.
  • “Beyond the Digital Print: A Digital Atelier® Printmaking Workshop,” Rocky Mountain Digital Art Center, Denver, CO May 2001. Presented by Karin Schminke, Dorothy Krause, and Bonny Lhotka.
  • The Digital Atelier™: Printmaking for the 21st Century, Seybold Seminars: Annual presentations 1997-2002 Presented by Karin Schminke, Dorothy Krause, and Bonny Lhotka.
  • The Digital Atelier™: Printmaking for the 21st Century,” Artexpo 1998, New York, NY, March 5-7, 1998. Presented by Karin Schminke, Dorothy Krause, and Bonny Lhotka.
  • Women and Media” Panel Discussion, Pacific Lutheran University, Tacoma, WA February, 1998. Presented by Karin Schminke.

Artists-in-Residence

1997

  • Image Imaginarium, Roland DGA, Irving, CA, February
  • Work/Tank Think/Shop: Media for the New Millennium, Vinalhaven Press & Foundation, Vinalhaven, ME August
  • Smithsonian American Art Museum, Digital Atelier: printmaking for the 21st century, Wash., DC, July

1998

  • Thunderbird Graphics, Everybody’s Tabernacle, Clearwater, FL, January
  • Littleton Studios, heARTland, Spruce Pine, NC, May
  • Herman Miller, Inc., Holland, MI, October 11-23

2002

  • Applied Visual Concepts, Holland, MI,

2008

  • Universal Laser Systems, Inc. Scottsdale, AZ

2009

References

  1. ↑ "About the Digital Atelier". http://www.digitalatelier.com/AboutDA.html. 
  2. ↑ "Resume". http://www.luciddesign.com/resume.pdf. 
  3. ↑ 3.0 3.1 "Digital Atelier" (in en-US). https://bonnylhotka.com/digital-atelier/. 
  4. ↑ "Wax and the artist". https://papermakingresources.com/pdf/Wax_and_the_artist.pdf. 
  5. ↑ "Digital Photo Printing: 10 Years After" (in en). 2013-07-25. https://petapixel.com/2013/07/25/digital-photo-printing-10-years-after/. 
  6. ↑ "Bonny Pierce Lhotka" (in en). https://prezi.com/6mzcakpx7wje/bonny-pierce-lhotka/. 
  7. ↑ 7.0 7.1 "High-tech Boulder innovator retains artistic appeal" (in en-US). 2009-08-26. https://www.denverpost.com/2009/08/26/high-tech-boulder-innovator-retains-artistic-appeal/. 
  8. ↑ 8.0 8.1 "Bonny Lhotka's Digital Alchemy: Unique Recipes for Digital Print Editions" (in en). 2011-03-14. https://www.huffpost.com/entry/bonny-lhotka-digital-art_b_828705. 
  9. ↑ 9.0 9.1 "core.ac.uk/download/pdf/145051452.pdf". https://core.ac.uk/download/pdf/145051452.pdf. 
  10. ↑ "Vitreography" (in en), Wikipedia, 2023-03-14, https://en.wikipedia.org/w/index.php?title=Vitreography&oldid=1144633877, retrieved 2023-07-24 
  11. ↑ "About the Artist" (in en-US). https://schminke.com/about/. 
  12. ↑ 12.0 12.1 "Dorothy Simpson Krause - Biography". https://www.artnet.com/artists/dorothy-simpson-krause/biography. 
  13. ↑ 13.0 13.1 "Digital Atelier de Dorothy Simpson Krause, Bonny Pierce Lhotka and Karin Schminke: Fine Hardcover (2009) Limited Edition, Signed by Author(s) | Timbuktu Books" (in es). https://www.iberlibro.com/firmado/Digital-Atelier-Dorothy-Simpson-Krause-Bonny/31090293283/bd. 
  14. ↑ "Bonny Lhotka | ACM SIGGRAPH Education Committee". https://education.siggraph.org/resources/history/bonny-lhotka. 
  15. ↑ "Paint & Pixels" (in en-US). 2006-01-01. https://justpaint.org/paint-pixels/. 
  16. ↑ 16.0 16.1 "Digital Atelier by Krause, Dorothy Simpson, Bonny Pierce Lhotka and Karin Schminke: (2009) Signed by Author(s) | Priscilla Juvelis Inc., ABAA" (in en). https://www.abebooks.com/signed/Digital-Atelier-Krause-Dorothy-Simpson-Bonny/13451643152/bd. 
  17. ↑ 17.0 17.1 17.2 Schminke, Karin; Krause, Dorothy Simpson; Lhotka, Bonny Pierce (2004-08-01) (in English). Digital Art Studio: Techniques for Combining Inkjet Printing with Traditional Art Materials. Watson-Guptill. ISBN 978-0-8230-1342-5. https://www.amazon.com/Digital-Art-Studio-Techniques-Traditional/dp/0823013421. 
  18. ↑ "Bonny Lhotka" (in en). 2013-01-02. https://davidsaffir.wordpress.com/tag/bonny-lhotka/. 
  19. ↑ "Artist". https://dotkrause.com/artist/artist.htm. 
  20. ↑ "Happy Accidents: An Afternoon with Bonny Lhotka and Russell Brown | The Dream Within Pictures" (in en-US). https://thedreamwithinpictures.com/blog/happy-accidents-an-afternoon-with-bonny-lhotka-and-russell-brown. 
  21. ↑ "Mastering Digital Printing, Second Edition (digital Process And Print) [PDF [4jrkkr1na720]"] (in en). https://vdoc.pub/documents/mastering-digital-printing-second-edition-digital-process-and-print-4jrkkr1na720. 
  22. ↑ "Bonny Pierce Lhotka | Peachpit". https://www.peachpit.com/authors/bio/3c4376fb-2a24-4667-8d58-8060ba66c35e. 
  23. ↑ "Digital Atelier" (in en-US). https://www.pinazangaro.com/community/case-studies/digital-atelier. 
  24. ↑ "Dorothy Simpson Krause – Visions | Abecedarian Gallery" (in en-US). https://abecedariangallery.com/store/product/dorothy-simpson-krause-visions/. 
  25. ↑ AlternativePhotography (2011-05-30). "Pigment emulsion transfer to Stone paper" (in en-US). https://www.alternativephotography.com/pigment-emulsion-transfer-to-stone-paper/. 
  26. ↑ ThriftBooks. "Digital Art Studio: Techniques for... book by Bonny Lhotka" (in en). https://www.thriftbooks.com/w/digital-art-studio-techniques-for-combining-inkjet-printing-with-traditional-art-materials_bonny-lhotka_karin-schminke/320907/. 
  27. ↑ 27.0 27.1 "Losing Ground by Dorothy Simpson Krause" (in en). https://23sandy.com/products/losing-ground-by-dorothy-simpson-krause. 
  28. ↑ "Press Release for Dorothy Simpson Krause Book Art". https://fullercraft.org/wp-content/uploads/pdfs/FCM_2014_Press-Release-for-Dorothy-Simpson-Krause-Book-_Art-updated.pdf. 
  29. ↑ Lhotka, Bonny (20 Dec 2010) (in English). Hacking the Digital Print: Alternative image capture and printmaking processes with a special section on 3D printing (1st ed.). San Francisco, CA: New Riders. ISBN 978-0-13-403649-6. https://www.amazon.com/Hacking-Digital-Print-Alternative-printmaking/dp/0134036492. 
  30. ↑ Lhotka, Bonny Pierce (2013-04-09) (in English). The Last Layer: New methods in digital printing for photography, fine art, and mixed media (1st ed.). New Riders. https://www.amazon.com/Last-Layer-methods-printing-photography-ebook/dp/B00CA0MN6M?ref_=ast_author_dp. 
  31. ↑ "Digital Artists - Digital Printing" (in en). 2021-03-12. https://www.tanguayphotomag.biz/digital-printing/digital-artists.html. 
  32. ↑ "Digital Art Studio" (in en-US). https://www.tepbooks.com/product/digital-art-studio-9780823013425/. 
  33. ↑ Lhotka, Bonny (2015-02-03) (in English). Hacking the Digital Print: Alternative image capture and printmaking processes with a special section on 3D printing (1st ed.). San Francisco, CA: New Riders. ISBN 978-0-13-403649-6. https://www.amazon.com/Hacking-Digital-Print-Alternative-printmaking/dp/0134036492. 

External links

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