Hip hop production

From WikiAlpha
Jump to: navigation, search

Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop.[1]

Music Production

Hip hop producers may be credited as the record producer or songwriter; they may also supervise recording sessions. Hip hop instrumentals are colloquially referred to as beats or musical compositions, while the composer is called either a programmer, songwriter or beat maker. In the studio, the hip hop producer often functions as both the composer and as a traditional record producer.[2] They are sometimes called Orchestrators, P. Diddy is an example of one, and they are ultimately responsible for the final sound of a recording and providing guidance to the artists and performers. As well as advising the audio engineer on the selection of everything from microphones and effects processors to how to mix vocal and instrumental levels.[3]

Instrumental Hip Hop

Instrumental hip hop is hip hop music without vocals. Hip hop as a general rule consists of two elements: an instrumental track (the "beat") and a vocal track (the "rap"). The artist who crafts the beat is the producer (or beatmaker), and the one who crafts the rap is the MC (emcee).[4] In this format, the rap is almost always the primary focus of the song, providing most of the complexity and variation over a fairly repetitive beat. Instrumental hip hop is hip hop music without an emcee rapping. This format gives the producer the flexibility to create more complex, richly detailed and varied instrumentals.[5] Songs of this genre may wander off in different musical directions and explore various subgenres, because the instruments do not have to supply a steady beat for an MC.

Types of Producers

In contemporary hip hop production, the title producer has become a catch-all term that could indicate one or many types of contributions to any particular project. It is further complicated by the fact that the music industry has only three main categories to identify musical contributions – artist, producer, and songwriter – which often overlap in 21st century music production.[6] Below are some of the different facets of the contemporary hip hop producer; a single production credit can involve any number of these roles.

  1. Beatmaker
  2. Record producer
  3. Executive producer
  4. Featured artist
  5. Sample producer

Recording Development

In hip hop, a multi-track recorder is standard for recording. The Portastudio cassette recorder was the law in the in-house recording studios in the 1980s. Digital ADAT tape recorders became standard during the 1990s, but have been largely replaced by Digital Audio Workstations or DAWs such as Apple's Logic, Avid's Pro Tools and Steinberg's Nuendo and Cubase. DAW's allow for more intricate editing and unlimited track counts, as well as built-in effects. This allows songwriters and composer's to create music without the expense of a large commercial studio.[7]

References

  1. The Difference Between A Beatmaker And A Music Producer with DJ Khaled
  2. Apollo Brown On The Difference Between a Beat Maker and a Producer
  3. Music Production Courses | Sound Engineering Courses | Crypto Cipher
  4. Writing Tracks First | Lis Lewis • The Singers Workshop
  5. MUSIC INDUSTRY 101: What Is A Beat Maker vs. Producer?
  6. Hip-hop's most influential sampler gets a 2017 reboot | Engadget
  7. Six Machines That Changed The Music World | WIRED